All photos and text by Davebron Babaran unless otherwise noted.

Friday, September 23, 2011

Elephant in the room.

Elephant (2003)


Inspired by true events from the 1999 Columbine High School massacre, this 2003 Palme d’Or movie has an appeal of shear torture. The movie follows the daily routines of students in and out of high school, told through the eyes of each of these students who follow the same fate. Because this is the world we live in and Gus Vant Sant shows in Elephant the extreme environment teens of this time live in. It could be and eventually inevitably will happen, unless someone starts paying attention. 

This copycat crime movie starts when John Robinson plays John McFarland,  manages his father from driving home while at the same time has troubles at school who is a friend of Alex Frost (Alex) a bully, frustrated pianist, and sketch artist who have a short love affair with Eric Deulen (Eric), both the perpetrator of the massacre.  
While Jordan Taylor (Jordan) a popular football player/lifeguard together with his girlfriend Carrie Finklea (Carrie) least one of the two is shot and probably killed when Alex corners them in the cafeteria meat locker.
Elias McConnell (Elias) an aspiring photography student building his portfolio with portraits of students, he is presumed shot and killed in the library. 

The vastness in the scenes are incredible and the colors are crisp and vivid. The camera lingers on the characters faces displaying their everyday expressions. It adds to the realness of the environment and people.
The movie moves at a normal pace and ends at the height of the climax, like waking up from a nightmare. 
You leave thinking of the horrors and wondering what could possibly have gone wrong. Who would have thought that in a mundane day, a big elephant would be a big “obvious” problem. 



Wednesday, September 21, 2011

Loneliness and Alienation

Happy Together (1997) 


Combination of unconditional love and at the same time emotional saviness have nailed Happy Together that would be a tearjerker to others and a film of abash since this is not a typical Chinese love story that has the Hollywood cliché of happily ever after. Tony Leung plays Yiu-Fai, apparently starts working at a tango bar to save up for his trip home who claims to still revive the lost love with Leslie Cheung who plays Po-Wing- whose personal choice is to pursue sexual relationships with other men leads. Chen Chang is very different in this flick since Chang, the character that he’s playing is very fenzy compared to what he was in Crouching Tiger Hidden Dragon.

In the first scene to feature the leads, we hear Yiu-Fai telling us that his lover, Ho Po Wing always uses the phrase, ‘Let’s start over’, which you would understand at the end of credits why being out of love and being out of place establishes the impossibility of reconciliation. 

Their escape to Argentina proves to be their undoing but it would have happened anywhere. Argentina physically represents their relationship—claustrophobic and oppressive, something that might have been beautiful yet becomes a symbol of escape.

Buenos Aires is depicted like the end of the world, the last stop for the truly lost, subject only to intrusions by busloads of crass tourists and sexual predators willing to pay for kitsch and artificially of any kind. This is not a film which lends it self to a happy mood, ironically. 

Though much sadness exists, Tony Leung’s character is touched and reminded by a young and cheerful kitchen hand at the restaurant he works at, the hope and salvation exists, if only you have the strength to take that step. 

 
Christopher Doyle dazzling and unparalleled shooting speed plus its melancolia on every establishing shot particularly the Iguazu falls that goes along with character’s monologue and the scenes are killing it.
Wang Kar-Wai's emotional tale of two lovers stranded in Buenos Aires, reflects his opinions on denial and camaraderie; the director’s favorite techniques which is to often have his characters indulge in the role of a spectator to their own lives and the exterior events around them with the use of poetic monologue


Tuesday, September 20, 2011

LOST PHOTOGRAPHs: PART IV

Jollibee Breakfast Joys

first time in Baclaran

Alvarez's tarts

thrift store in Quezon Avenue


Inter Continental Hotel

Barangay Election 2010

(John 3:16) for God so love the world...

Thunderbird Resorts, La Union

a wall in Quezon Ave.

facade of Lola's old house
Commute
Pasay sunset

Sunday, September 18, 2011

LOST PHOTOGRAPHs: PART III

Fuji Film Studio

Sala

Dress up



Balls

Dagang Kosta

Color Palette 

street in Rockwell
Safety Matches

4pm

Fete de la Musique

I don't know the meaning

Festival Mall

Fete de la Musique ticket

Ancis catering

Pixie

Vending

Magallanes lovers